Here's Another Fine Mess I've Gotten Myself Into . . .
My last seven days have been a blur as I assembled my application for UC Santa Barbara, Fall '07. Just what I need. Another BA degree.
Bear with me, though. UCSB has the only state-school issued degree for Book Arts in California (and one of the few in any school in the US). Assuming my lower division core requirements are transferrable, I only need to take the arts classes. The campus is relatively close, a pleasant commute if not during rush hours, the department looks excellent, and, well, instead of trying to reinvent the wheel of my reasoning process, here's my application essay on the topic, with editorial comments:
This application’s dry recital of my past leads to a reasonable question: why would a middle-aged ex-lawyer (no doubt painfully analytical) [see: dweeb]seek immersion in the subjective field of art? Why book arts?
The first book I remember holding was the classic "Pat the Bunny" – a wonderfully interactive text urging me to feel softness and smile at the mirror’s reflection. Not surprisingly, this iconic experience [hey, like the "iconic"? sounds academic, huh?] brought me full circle to participation with the physicality of books.
Naturally, I moved on to word content. Reading as my childhood drug of choice. I escaped eagerly into the magic of Narnia and the Manhattan of Harriet the Spy. Still, there was comfort in the book itself, the paper's smell, its weight propped against my knees. I collected (and still do) old books for their beautiful bindings and endpapers. Books were ubiquitous in my home, school, and eventually, my career where words are quite literally law.
Art, on the other hand, was where I escaped from my primary escape. My iconic [maybe I'm overdoing the icon thing . . .] “art moment” was staring, entranced, at a life-sized reproduction of “Starry Night” as my mother explained that this mad Dutchman painted what he felt, not what others saw. To him, stars whirled, cold glitters against midnight. I got it. I got it. If I had known the word “Eureka” I'd have shouted it!
Yet grade-school art curriculum convinced me that I definitely wasn't an artist. I couldn’t for the life of me draw a recognizable portrayal of anything. Swirling stars? Not allowed. Fortunately, I thrived in free-form extra-curricular classes. In one summer program, I steered away from the crayons and paper, knowing I was a failure in that department. I picked up a scrap of board with a curved border like an ocean wave, a big lump of cool, smooth clay, and a fistful of pebbles, toothpicks, straw. I unplugged my brain and played. Within a few days, the board was deep blue, and the clay had morphed into a detailed, miniature tropical island. The piece was selected for a children’s art exhibit touring the country. [This is a true story and why I can honestly, if pathetically, claim to be a "nationally exhibited artist" on my website.] The attention was pleasant, but puzzling. This wasn’t Real Art. I couldn’t draw.
So on to my left-brain world and career for the next 30-plus years. I did “crafts” in my spare time, relishing the sensuality of the materials. My mind slipped sideways and time disappeared as I turned out odd, paper-collaged furniture and suspended peculiar assortments of objects from the ceiling. In 1989, while working on a routine scrapbook of my travels to Israel, a light bulb appeared over my head. Why not use a real book – better yet, change it into a mock publication to suit my theme? Thus emerged a very funny pseudo-Biblical text: “And lo, it rained for 40 days and 40 nights and not a taxi was seen.” [God hasn't hit me with lightning yet for this heresy.] Taking off from there, I focused on altered books and assemblage, ignorant that these were recognized themes.
When I retired in 2002, I devoted more time and attention to doing what I loved, read extensively, and took local classes. I realized that not only did others share my delight, but that they had dignity and respect – my work might even, someday, be Real Art. I launched my online studio earlier this year (http://www.fragileindustries.com) and found joy in creating altered and/or handmade books and assemblage shrines on commission. Selling things I make with my own hands has given me the confidence to honor my right brain and my enthusiasm for what I call “participatory art” – grown-up "Pat the Bunny." My stars can swirl.
I could continue as a self-taught pseudo-folk-artist, but that can be another way of saying "dilletante." I learned from experts in my other pursuits, and sincerely hope to do the same with this passion. [Pretension concludes here.]
I also sincerely hope that essay convinces them that, to paraphrase the Elephant Man, "I am not a dweeb! I am a human being!" One with a right brain as well as a left. I've been asking for a lot of spiritual help lately, but at the risk of turning my Devoted Readers into my own Private Prayer Circle, please point your mojo towards Santa Barbara. I really want this.
So now I'm scrambling to come up with a respectable, or at least not embarassing, portfolio. My relatively new, idiot-proof point-and-shoot digital is not up to the task of macro shots, needed for some of my mini altered books. I can't get closer than about 30 inches from an object or it turns fuzzy. I've researched and think I want the Canon SD700 IS. It is not insanely expensive or complex, does macro but still has an "auto" setting, gets good reviews, and most importantly, has an image stablizer to counteract my shaky paws. (Thanks to my meds of yore, I have a slight residual tremor. Just enough for old-timers at AA meetings to ask me if I've just come off a bender. Fun.)
If anyone out there has a better suggestion, let me know ASAP. I'm going to Costco to get it in a couple of days.
Year-End Roundup: Books
Here's Steven King's List of Top 10 Best Fiction of 2005. No, that's not a typo, I meant 2005, not 2006. I'm too cheap to buy fiction in hardcover unless it's Harry Potter (he shows up in the list, BTW). So most of these are in paper by now, and I've read three on the list. I agree with SK about those three, so I'm running out to get the rest.
Laugh if you will about SK, the guy knows his stuff. He (and the books he recommends) are only occasionally literature, but they are always good reads.
I've read a lot of good non-fiction this year, and mentioned most of it, but I must note one more: What Jesus Meant by Gary Wills. Wills is no ideologue [I'm using that word a lot lately, like "icon" -- looks like I've been going through my thesaurus alphabetically] ranting about the end times. He's a Pulitzer-Prize winning historian and Greek scholar. His translation of the Gospels are based on innovative but sound interpretation. The introduction convincingly explains better than I can that the Greek of the source manuscripts needs to be read as it was used in Judea of the 1st Century. The result blows away the candy-ass capitalist Jesus the Christian Right is feeding us. This Jesus rocks. There's no need to be a Christian to enjoy Wills' book.
However, off topic, I must admit: between this book, Anne Rice's Christ The Lord, and this year's C.S. Lewis reading, I am reluctantly, hesitantly, and quite intellectually reapproaching Christianity. Never to the point of exclusivity, never to deny the viability of other paths, but perhaps to the point of saying that Jesus's message really works best for me. Stop me before I start wearing tinfoil hats.
Here It Is, Your Moment Of Zen
http://people.csail.mit.edu/rahimi/helmet/
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